TRADITION AND MODERNITY: THE EXPERIENCE OF CULTURAL PHILOSOPHY

The Genke of Animation and its Role in the Definition of National Identity

Vol. 96 No. 2 (2023), TRADITION AND MODERNITY: THE EXPERIENCE OF CULTURAL PHILOSOPHY
Vol. 96 No. 2 (2023)
2023-06-30 Number of views: 131
Onlasyn Buribekov
Abai Kazakh National Pedagogical University e-mail: onlasyn777@mail.ru
Serik Nurmuratov
Institute for Philosophy, Political Science and Religion Studies of the CS MSHE RK
Bagdat Sainanov
Abai Kazakh National Pedagogical University
Raushan Sartaeva
Institute for Philosophy, Political Science and Religion Studies of the CS MSHE RK

Keywords

Cartoon, Cultural Studies, National Consciousness, Animation, Education, Cultural Identity

Abstract

The article analyzes the art of animation, which began to be reflected in a wide range in modern visual culture, examines its place in the formation of national-cultural identity and mechanisms for its implementation.The results of a survey on the attitude of the young generation to the genre of animation, which is used in our national culture, and the influence of modern content of animation are presented. In the course of stories telling about the diversity of cultures through multiplicity, the possibility of creating connections between cultures is considered and its applied significance is shown.

How to Cite

Buribekov, O. ., Nurmuratov, S., Sainanov, B., & Sartaeva, R. . (2023). The Genke of Animation and its Role in the Definition of National Identity. Adam Alemi, 96(2), 25–34. https://doi.org/10.48010/2023.2/1999-5849.03