ISSN 1999-5849 (Print) · eISSN 2959-7544 (Online)
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The Genke of Animation and its Role in the Definition of National Identity

Authors

  • Onlasyn Buribekov Abai Kazakh National Pedagogical University Array
  • Serik Nurmuratov Institute for Philosophy, Political Science and Religion Studies of the CS MSHE RK Array
  • Bagdat Sainanov Abai Kazakh National Pedagogical University Array
  • Raushan Sartaeva Institute for Philosophy, Political Science and Religion Studies of the CS MSHE RK Array

DOI:

https://doi.org/10.48010/2023.2/1999-5849.03

Keywords:

Cartoon, Cultural Studies, National Consciousness, Animation, Education, Cultural Identity

Abstract

The article analyzes the art of animation, which began to be reflected in a wide range in modern visual culture, examines its place in the formation of national-cultural identity and mechanisms for its implementation.The results of a survey on the attitude of the young generation to the genre of animation, which is used in our national culture, and the influence of modern content of animation are presented. In the course of stories telling about the diversity of cultures through multiplicity, the possibility of creating connections between cultures is considered and its applied significance is shown.

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Published

2023-06-30

Issue

Vol. 96 No. 2 (2023): Adam alemi

Section

TRADITION AND MODERNITY: THE EXPERIENCE OF CULTURAL PHILOSOPHY

How to Cite

The Genke of Animation and its Role in the Definition of National Identity. (2023). Adam Alemi, 96(2), 25-34. https://doi.org/10.48010/2023.2/1999-5849.03